MINSTREL SHOWS


There were thousands of Minstrel Shows in America.  From the late 1800s to the 1960s, Minstrel Shows were one of the most popular forms of entertainment.  From grade schools to colleges,  Scout Troops to Churches, everyone had a Minstrel Show.

This page is not about Race nor politics. It does NOT endorse the content.  This page is simply a snapshot of who, where and when
Minstrel Shows were locally popular, like thousands of other pages across the Net on this same subject.  We cannot hid our past nor should we.  We must learn from our past and improve with each generation.  That being said, like always, one must understand the times.


This topic could go back a hundred years, but I have elected to start in 1949 through 1967 only.

Here you will see how Minstrel Shows were depicted in the Kanawha Valley.


BUT FIRST - A LESSON

An "INTERLOCUTOR" is a person who asks questions in a dialog and who's questions elicit the "END MAN'" humor.
The "END MAN" was a man at one end of line of performers in the show and carries on humorous dialogue with the interlocutor







STARTING IN 1949 the following are just a few of the articles that appeared in the Gazette and Daily Mail

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Many Black entertainers also did Blackface...

Sammy Davis in Blackface


Even Garnet, a Black school had Minstrel shows...



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Here was another Surprise:  I could see the Temple doing this but the Synagogue?



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Of course, it wasn't just Synagogues that wanted in on the action...


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The Tennis set was on board....



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Let's not forget Eastern Kanawha Valley..


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All of the schools in the valley had Minstrel Shows, from Stonewall Jackson, to St Albans to Charleston High.


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We don't want to forget the Catholic School.

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Naturally the Shriner's liked to play dress up.

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As did the Scouts....


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Meanwhile... back in Falls View....


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Cant forget the PTA



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The Shriners main show?


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Diversity in 1965

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Judy Garland







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Even the Appalachian Power Company got into the act with their mascot called "Elec"

Appalachian Power Company









AS A SIDE NOTE:


        

mINSTRELS     


Blackface minstrelsy was the first theatrical form that was distinctly American.
Minstrel shows emerged as brief burlesques and comics between the acts in the early 1830s in the Northeastern states. They were developed into full-fledged form in the next decade. By 1848, blackface minstrel shows were the national art form, translating formal art such as opera into popular terms for a general audience.

Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel show into a fixed three-act form. The troupe also invented or popularized "the line", the structured grouping that constituted the first act of the standardized three-act minstrel show, with the interlocutor in the middle and "Mr. Tambo" and "Mr. Bones" on the ends.


BUT THEN, THE NEW CHRISTY MINSTRELS CAME ALONG, AND NO ONE GAVE IT A THOUGHT.

Meanwhile: The New Christy Minstrels were an American large-ensemble folk music group founded by Randy Sparks in 1961. From their beginnings as prominent figures in the early-1960s U.S. folk revival, the group has recorded over 20 albums and had several hits, including "Green, Green", "Saturday Night", "Today", "Denver", and "This Land Is Your Land".  Their 1962 debut album, Presenting The New Christy Minstrels, won a Grammy Award and was on the Billboard charts for two years. The group has sold millions of records and were in demand at concerts and on television shows. They also helped to launch the musical careers of several musicians, including Kenny Rogers, Gene Clark, Kim Carnes, Larry Ramos, and Barry McGuire.

The New Christy Minstrels were formed by singer/guitarist Randy Sparks in 1961.  Sparks named his group after Christy's Minstrels, a blackface group formed by Philadelphia-born showman Edwin Pearce Christy in 1842 and known primarily for introducing many of Stephen Foster's compositions. In a similar way, Sparks envisioned his group—with its innovative sound—as a means to attract attention to his own writing, which consisted of original songs and fresh adaptations of folk classics. In 1970, they performed during Super Bowl IV at Tulane Stadium in New Orleans.

In the late 1980s and into the early 1990s, the group's concert activity declined steadily until it stopped completely. Early in the new millennium, Randy Sparks was able to register a trademark on the (dormant) New Christy Minstrels name and once again became the leader of the group he had started almost 50 years before. He launched a revamped, reinvigorated group on a new series of concerts, playing to sold-out crowds and standing ovations—a satisfying renaissance for the man who started it all.



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